This in itself is a victory for any band, but for Muse to still be doing it as consistently well is hard to comprehend. Muse have been around since 1994 and in that time, they’ve rode the turbulent waves of an ever-changing musical climate, constantly evolving their sound and never allowing it to stagnate. It feels fresh out of Blade Runner and really creates a post-apocalyptic feel through menacing synthetic beats. ![]() There’s the usual apocalyptic prophecies, with Bellamy warning “evolve, push us aside, render us obsolete” on opener Algorithms. This time around though, they seem to have pulled it off. ![]() It’s pretty clear that this whole concept album thing is something Muse are adamant on sticking to – this is the fourth album in a row they’ve tried it. ![]() Simulation Theory sees them embrace pop and roll with it, fusing Matt Bellamy’s haunting vocals with a narrative about a simulated world. If there’s one thing you can depend on Muse for, it’s that they release some really off the wall stuff.Ģ015’s Drones was a rock-opera that was so over the top, it was difficult to really understand what they were getting at.
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